Thursday, May 21, 2009
Inner Wind of the Blog
When I was seventeen I wrote a short story called 'Southbound Satin' about a man and woman stranded in the middle of the ocean who decide to build a raft even though they have no construction materials to hand apart from each other... I lost that story a few years later (all the fiction I wrote between the ages of 14 and 22 has been lost) but I always knew that one day I would attempt a rewrite. I kept putting that duty off, though! Prompted by a story request from the editor Danel Olsen, I finally took the plunge and produced a second 'Southbound Satin' a quarter of a century after writing the original... I have rewritten many of my lost stories and the rewrites are usually an improvement and this is certainly the case with 'Southbound Satin'. Without giving too much away I can say that the initial solution to the raft problem is saucy rather than nasty...
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What makes this experience even better for me is that my story going to appear in an anthology with Milorad Pavić, one of my great literary heroes! I have enjoyed and admired the work of Pavić ever since I read Dictionary of the Khazars back in the '90s. For a long time after that, Pavić was my favourite writer and maybe I tried too hard to write like him. His extreme inventiveness, stunningly strange metaphors, bizarre characters and non-linear plots were (and still are) exactly to my taste. This photo shows me with two of his novels, Last Love in Constantinople and The Inner Side of the Wind. I am especially fond of the latter, which contains two engaging narratives printed dos-à-dos (back to back) that are independent but meet in the middle. You read any one, flip the book over and read the other. Marvellous!
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What makes this experience even better for me is that my story going to appear in an anthology with Milorad Pavić, one of my great literary heroes! I have enjoyed and admired the work of Pavić ever since I read Dictionary of the Khazars back in the '90s. For a long time after that, Pavić was my favourite writer and maybe I tried too hard to write like him. His extreme inventiveness, stunningly strange metaphors, bizarre characters and non-linear plots were (and still are) exactly to my taste. This photo shows me with two of his novels, Last Love in Constantinople and The Inner Side of the Wind. I am especially fond of the latter, which contains two engaging narratives printed dos-à-dos (back to back) that are independent but meet in the middle. You read any one, flip the book over and read the other. Marvellous!
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