Sunday, June 06, 2010
Monsters of the Victorian Age #3
The vogue for musical monsters began in 1841 when Chumworth Blighter, the progressive impresario, arranged the first season of afternoon concerts in which imaginary beings were the sole performers. Prior to this achievement, common wisdom had decreed that monsters "should be screamed but not heard". Rapidly growing in popularity, recitals by monsters of music composed by monsters soon became the dominant form of acoustical entertainment in concert halls, theatres and outdoor arenas. The fad crumpled just three years later when notes H to Z inclusive, the ones most favoured by monsters, were officially removed from the octave in compliance with wide-ranging austerity measures.
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