Sunday, May 19, 2024

 

Rabbit's Shadow in German


I have written 1104 stories in the past thirty-three years, but if I had to choose only one to survive an unspecified disaster, I would select the novella MY RABBIT'S SHADOW LOOKS LIKE A HAND, written in 2019 and published two years later by Eibonvale Press as a chapbook.

The reason I would choose this one is because it showcases all the things about my writing that I regard as most fulfilling to me. It's an integrated work with a philosophical concept at its core and a twist ending; but it also consists of a mosaic of smaller tales and poems, and some of those tales and poems are OuLiPo based; also I believe that the language of the text is lyrical and suitably witty. That's my opinion anyway...

And to my delight, this is also my first work translated into German. Peter Mordio is the person responsible for arranging this alchemy and I am hugely indebted to him. Christian Veit Eschenfelder is the translator; his task was very difficult, and although I won't go so far as to compare him to David Bellos translating Georges Perec, I certainly am amazed that he agreed to tackle such a complex project as my novella.

Der Schatten meines Hasen sieht aus wie eine Hand is available in paperback and also ebook editions and I am hoping it will be the first of many translations of my fiction into German...


Thursday, March 14, 2024

 

Dabbler in Drabbles #2


My second book of the year is the second volume of my Dabbler in Drabbles project, a four volume extravaganza. There will be one thousand drabbles in total. The first book features 100 of them, and this new book features 200.

The collections will be published as soon as they are ready, and after the fourth has been released, an omnibus will be prepared that will contain all the drabbles. But that probably won't happen for quite a while, because writing drabbles is hard work. The ideas come to me easily enough (I have been writing weird fiction for so long that now my subconscious offers me original ideas almost hourly) but the precision of the form is tricky. Adjusting a microfiction so that it is exactly one hundred words long requires a good editing eye. But I like to challenge myself and I enjoy writing flash fiction and so drabbles are absolutely a form I need to get to grips with, and I believe that I have.

This book is available in paperback and ebook editions, and the ebook is currently a free download from any Amazon platform for the next two days (today and tomorrow). This link is to the relevant page on Amazon US but look on your own Amazons if you are in a different country...

Tuesday, January 02, 2024

 

Dabbler in Drabbles #1


My first book of the year 2024 is in fact only the first volume of a four volume project. Dabbler in Drabbles will consist of exactly one-thousand drabbles (flash fictions that are exactly 100 words long). Such a project will make a very big book and will take a long time to write. Therefore I have decided to divide the project into four and publish each volume when it is ready (even though the later volumes will remain to be written).

It might be supposed that one-thousand drabbles spread across four volumes means that each volume will feature 250 drabbles. But this isn't the case. I have devised a different scheme. The first volume contains 100 drabbles; the second volume will contain 200 of them; the third volume 300; and the fourth and final volume 400. That's one-thousand in total but every volume is of a different length. After the last volume is published there will be a large omnibus edition.

The first volume has just been published. Furthermore, the ebook edition of Dabbler in Drabbles #1 is free from any Amazon outlet for the next five days. This link is to Amazon US but check your own Amazon if you are in another country.

To quote the blurb about the book: "A drabble is a flash fiction that is exactly one hundred words long. And here we have a cyclops who is writing them and telling them to his friend, a centaur. One hundred drabbles. The stories are miniature adventures, comedies and tragedies, tales of space and time, accounts of voyages and discoveries, many of them ironic or paradoxical, some of them featuring robots and monsters and ghosts, but each one compressed into an easily-digested snack for the mind. And this is the first volume of four..."


Saturday, December 30, 2023

 

End of 2023 Review



I was supposed to give up writing short-stories last year, when I finally wrote my 1000th, but I kept going (as some people said I would).

And 2023 turned out to be my most productive writing year ever. To make sure of this, I put all the fiction I wrote this year into a single document and did a wordcount. 344,919 words in total. This is so far ahead of my yearly average that I am genuinely surprised.

But maybe I shouldn't be. I have been lucky enough this year to work as a full-time writer. It's not a situation that is likely to happen again. My wordage was increased by the fact I wrote two novels:

* Growl at the Moon (a Weird Western; accepted for publication next year).
* The Devil's Halo (a supernatural adventure-comedy, currently being considered by a publisher). 

 And I also wrote two novellas:

* The Sunset Suite (another Weird Western; currently being considered by a publisher).
* The Trojan Panda (a work I plan to include in a collection of novellas that I will submit once I have finished writing all the other pieces for it).

Apart from those four lengthy works, I wrote 54 short-stories ranging in length from flash fictions to novelettes. Among the stories I am most proud of are 'The Soul Garden' (published in Nightmare Abbey #4), 'Ghosts on the Road' (published in The Horror Zine Fall 2023), 'Dynamiting the Honeybun' (published in There's No Way to Escape, a Boris Vian tribute anthology issued by Raphus Press), and three tales that haven't yet been published or accepted, 'Carpe Tedium', 'The Simian Flipflops' and 'Rip Van Winkle and Juliet'.

I had too many short-story publications in too many anthologies and magazines to list them all, but I will briefly mention that my J.G. Ballard tribute story 'The Go Players' (written last year) was published in Reports from the Deep End, issued by Titan Books; also my story 'The Wizard Killers' was published in the Fantastic Schools Staff anthology, part of a series of very nicely produced hardbacks.

As for my books... I had 14 published this year, but bear in mind that 11 of those were self-published, so if we are going to be strict about this, then I had three books published. They were:

* The Wistful Wanderings of Perceval Pitthelm (Telos Publishing).
* The Coffee Rubaiyat (Alien Buddha Press).
* Adventures with Immortality (Oddness; illustrated by Mike Dubisch).

I also had a chapbook published by Mount Abraxas Press, The Graphologist and Other Stories, and I mention this because chapbooks from that publisher always look very stylish.

Among my self-published books, five were poetry and three were fairy tales; but in fact those three volumes of fairy tales can be regarded as one work: Starfish Wish was a slim sampler for My Big Glib Book of Flippant Fairy Tales, a very large work that was too big to be bound by the printer; I broke off part of it and published that part separately as My Little Glib Book of Flippant Fairy Tales.

As for reading: I read a total of 48 volumes in 2023, though three of those volumes (the Henry Green omnibuses) contain three novels each. Some of the stuff I read this year was time wasted, but it is impossible to know before we have read a book whether it is a waste of time or not. That's the price a reader must be prepared to pay. The main thing is that the good work I read was truly outstanding and can be listed as follows:

* The Cyberiad - Stanislaw Lem.
* The Complete Enderby - Anthony Burgess.
* Sixty Stories - Donald Barthelme.
* Caught / Back / Concluding - Henry Green.
* Loving / Living / Party Going - Henry Green.
* Despair - Vladimir Nabokov.
* The 13½ Lives of Captain Bluebear - Walter Moers.
* The Bald Soprano and Other Plays - Eugene Ionesco.
* 1982, Janine - Alasdair Gray.
* The Narrow Corner - W. Somerset Maugham.
* Pigs Have Wings - P.G. Wodehouse.
* Voss - Patrick White. 

 As for my personal life: well, I no longer tend to talk much about that in public. I spent the year in India but enjoyed two visits to Sri Lanka. I climbed Sri Pada and it was nice to get back into mountain climbing. I was a guest of honour at the Goa Literary Festival (a relief to be invited somewhere to speak). I got married. I began playing badminton regularly... I am looking forward to 2024 and that's all :-)

Wednesday, December 27, 2023

 

The Graphologist Book


The chapbook that was recently published by Mount Abraxas Press (see one of the blog posts below) has now been turned into a book with paperback and ebook editions.

It is a slim volume featuring four of my stories, namely:

1) The Tipping Point (a story inspired by Sheridan Le Fanu's tale, 'The Room in the Dragon Volant').

2) The Puppet Show (inspired by my interpretation of the particular and peculiar atmsophere found in Thomas Ligotti's work).

3) The Filtered Ones (a tropical ghost story).

4) The Graphologist (a brief tale about self-hatred).

"Ghosts, puppets, and demonic coincidences. Forbidding symmetries and paradoxes of perdition. A quartet of tales that will throb like tiny troubled brains inside your expanded mind."

This is my last book of 2023. I believe that this has been my most productive writing year ever, but I need to double check that claim.

My next blog post will be the last of the year and it will be a summation of a year that turned out to be really quite remarkable...

Friday, December 01, 2023

 

Triple Obscura #1


A new anthology series has just been launched. TRIPLE OBSCURA #1 is available as a paperback and ebook. The TRIPLE OBSCURA anthologies will consist of three writers per issue, each contributing 20,000 words of fiction.

If the project is successful, there will be other anthologies along similar lines, for example QUADRUPLE OBSCURA featuring four writers, each contributing 15,000 words of fiction. And then QUINTUPLE OBSCURA featuring featuring five writers, each contributing 12,000 words of fiction. And then SEXTUPLE OBSCURA featuring six writers, each contributing 10,000 words of fiction, and so on, with the total wordage of each book being no more than 60,000 words.

Who knows where it will all end? Feasibly with 60,000 different writers each contributing one word of fiction. But that's very unlikely.

But anyway, I have drifted off the point, which is that the first issue of TRIPLE OBSCURA is now available for purchase. The featured writers are Jason Rolfe, Boris Glikman, and myself. No idea yet who will be in the second and third issues. The book is available from Amazon and elsewhere...

Friday, November 24, 2023

 

FLIPPANT FAIRY TALES


My massive book of fairy tales has just been published, MY BIG GLIB BOOK OF FLIPPANT FAIRY TALES. Hundreds and hundreds of pages of fiction. I don't actually think the stories are glib or flippant but that's a pre-emptive strike against those reviewers who don't like me for reasons that have little or nothing to do with my work (you know the kind of person I am referring to). Anyway the book I had published a couple of months ago, STARFISH WISH, was a sampler for this one.

Originally the manuscript of this monster was 914 pages long, but Amazon said no to that: it was too long. So I took out 141 pages and put them into another book, a companion volume called MY LITTLE GLIB BOOK OF FLIPPANT FAIRY TALES.

The former volume has been in preparation for what feels like ages. It is done now at long last. 313 stories contained in 773 pages. These two books don't include ALL my fairy tales, fables, parables, whimsical flapdoodles and paradoxical picaresques, but they do contain many (or even most) of them. I put in a lot of work to make this happen, foolish amounts of work, in fact, over many years, decades. It has been a very tough climb. But whatever happens now, whatever my writing future holds (or doesn't hold), at least I can point to the two GLIB books and say: here you are, here I am, this is how my imagination works. And that counts for something.

Review PDFs are available for anyone who feels they can review one or both of these volumes...

The big volume has a real ISBN and all that proper stuff. The little one doesn't. It is like a little amateur brother to the big semi-professional chap. The covers are variants of each other. Makes sense. The ebook editions of both volumes are currently free from any Amazon outlet but only for the next four days, so if you are reading this after November 27th 2023 they are no longer free.

Monday, November 13, 2023

 

Three Favourite Reads and One Hundred Short Stories


There is a website devoted to books that I am very fond of. It is called Shepherd and it acts as a refreshing alternative to Goodreads. It is mercifully free of the negativity that can often be found in some corners of Goodreads. They are currently running a feature called The 100 Best Books of 2023, an overview compiled from the lists created by many authors who were asked to name the three best books they had read in one year.

My own list of Three Favourite Reads of 2023 can be found on Shepherd. Anyone who scrutinises my choices will see the authors Henry Green, Walter Moers and Guido Morselli. All of them have been a revelation to my reading mind. I am especially impressed with Green and have embarked on a reading of the nine novels he wrote in his lifetime (I am currently near the end of the seventh). Conveniently, I discovered that Vintage publish these nine novels in three omnibus volumes.

It has been a long time since I read an author who appealed to me as strongly as Henry Green does. His style is unique or almost so, the structures of his novels are unusual, his grasp of characterisation sublime and his ear for dialogue perfect. But there is something decidedly odd about his work. It is more menacing in tone than any rational analysis would lead one to conclude it should be. He is like a more brutal (but that's not quite the right word) version of Firbank.

Another thing I guess I ought to mention is the recent release of an ebook collection of one hundred of my short stories. This collection is called (simply enough) 100 Short Stories and it includes some previously unpublished stories as well as work that has already appeared in magazines, journals, anthologies and some of my other books. The earliest story in this collection was written in 2004 and the most recent was written just a couple of months ago.

Wednesday, November 08, 2023

 

The Golden Fleas


I am retiring Gloomy Seahorse Press, which was my first small-press venture. Ten years is long enough for a small-press imprint. Any future books I issue will be from Gibbon Moon Books or a new imprint called Trojan Donkey Press. The former will mostly focus on my own books, the latter on works written by other writers. You can expect several books in the next couple of months featuring work from W.E. Bowman, Jason Rolfe, Boris Glikman, D.F. Lewis, Mitali Chakravarty and others.

The first book issued under the Gloomy Seahorse imprint was More Than a Feline, a collection of cat-themed stories and poems. That was at the end of the year 2013, exactly one decade ago. The last book to be issued under this imprint is The Golden Fleas, a story collection published two days ago...

The Golden Fleas contains previously uncollected work that is among my earliest surviving fiction. In fact, this new book has been created primarily for those select few readers who have expressed a wish to read all my stories. When I recently examined the contents of my published collections to date I noted that many of the stories I wrote between the years 1989 and 1995 don't appear in any of my books. These stories are cruder than my later fictions, true, but I do believe they have some value...

...and now they are available to be read.

Sunday, November 05, 2023

 

The Graphologist and Other Stories


A chapbook of four of my ghost tales has been published. These stories are more Gothicky and less whimsical than most of my Weird fiction. In fact, I'll go as far as to say they are proper horror stories. None have been published before.

The chapbook includes a story called 'The Tipping Point', which is my attempt to write something inspired by J. Sheridan Le Fanu, although ultimately it doesn't really resemble a Le Fanu tale in structure or plot; yet it has something of the same mood that infuses his work, or so I believe. Le Fanu, for me, was one of the best ghost story writers of all time. I much prefer his slightly offbeat visions to the drier and more elitist pontifications of M.R. James.

The other three stories in the chapbook are 'The Puppet Show', a sort of Ligotti tribute; 'The Filtered Ones', my attempt to write a tropical ghost story and my own favourite among the four pieces; and the title story, 'The Graphologist', a brief horror thought-experiment about a paradoxical situation.

The chapbook is one in a series of booklets that includes work by Douglas Thompson, Stephan Clark, Jonathan Wood, Christian Riley, and others. It has been published by the legendary and rather elusive Mount Abraxas Press and this means I have no good idea where you will be able to purchase it, nor any of the other chapbooks in the series... Getting hold of Mount Abraxas productions is never the easiest bookish task in the world!

Friday, October 20, 2023

 

Adventures With Immortality


My new book, Adventures With Immortality, has recently been published in the USA by Oddness. It is a collection featuring stories all concerned with the theme of immortality. I think it contains some of my best ideas. Anyway, it's not easy finding outlets for this kind of fiction, i.e. stories that are more like pseudo-essays à la Borges with almost no characterisation, plot tension or opportunities for readers to achieve 'immersion'. This kind of fiction is more like non-fiction but with the difference that it doesn't have to be true or even possible in what it claims. I am therefore extremely grateful to the publishers for accepting the manuscript and publishing the book.

I am especially honoured and delighted that my book has been illustrated by one of my favourite artists working in the science fiction and fantasy spheres, Mike Dubisch. His illustrations are absolutely intergral to the progression of the text.

The hardback is available from most outlets that deal with books but I have been asked to prioritise links to Barnes and Noble and I am more than happy to do that... 

My stories examine the consequences of immortality by taking those consequences to a logical extreme. Among my science fiction reading friends, I often see discussions about immortality, usually in the context of asking the question, "How would you pass the time if you were immortal?" And people generally answer that they would do everything they had ever wanted to do, try every activity, acquire all knowledge, because they would now have unlimited time in which to do things.

But I wonder if people are failing to understand that a physiological change also produces psychological change. If you could suddenly fly, you would soon lose your (natural) fear of heights. The change in your physical capabilities would alter your psychology. So it is with immortality. If you had unlimited time in which to do things, all sense of urgency would be gone. There would be absolutely no motivation to do anything. Everything could be put off for another day and almost certainly it would be. And put off again and again forever. That is just one logical consequence of the quality of immortality taken to an extreme. I deal with this consequence and many others in the book.

Friday, October 13, 2023

 

The Coffee Rubaiyat


I am now a married man. We went for our honeymoon to a remote part of the Western Ghats, staying on a coffee plantation. The day before we left for the trip, a box of books turned up from the USA. I was therefore able to take a copy of my volume of coffee-themed poetry to the isolated coffee estate. That was a nice little touch.

The Coffee Rubaiyat has been published by Alien Buddha Press. It's a spoof of the first edition of Edward FitzGerald's translation of Omay Khayyam. 75 quatrains to match the 75 of FitzGerald's translation. The originals are all about wine. Mine are all about coffee. I preserved the AABA rhyme-scheme and mostly mimicked the metre (not always).

But it's more than that. It's a genuine prayer and eulogy to coffee. Yes, coffee, the second most traded substance in the world after crude oil (and a damn sight tastier). People often talk about how wine is bottled sunshine. Well, coffee is night in a mug, the kind of night where you feel energised but tranquil and want to go for a long walk to the sea. And when you reach the sea and see the surf washing the shoreline, you understand that this is the cappuccino of the gods.

Anyway, enough blather! The book is available from Amazon and elsewhere, and there is even a pocket-sized edition, which is smaller and cheaper than the main edition.

Monday, September 11, 2023

 

Odd Socks


No more self-published poetry books from me, at least for the time being, unless something happens to make me change my mind, which is not beyond the bounds of feasibility.

This rule doesn't apply to omnibus editions of my poetry. And the reason for this is because I invent the rules. The first of these omnibus volumes is ODD SOCKS, a collection of (what I think are) the best poems selected from my eighteen previously published poetry books and chapbooks.

600+ pages of verse, so it's a hefty volume, and to mark the occasion the ebook is a free download for the next five days, starting right now.

It's free from any Amazon outlet. This link is to Amazon US, but look on your own Amazon too.

Yes, the cover is a bit amateurish. This is because I'm not a designer and have become very reluctant to use AI art programs in recent months (I had no problem with them when I first discovered them). The feet in the photo are my own. One of the socks is mine (but who wears socks in India?). The other sock is my fiancée's. She pointed out that hers is inside-out.

The second omnibus volume will be a book containing all my poems, or nearly all of them, right from my earliest surviving poems circa 1976 to the last poem I will write this year. It will be called THE KOALA TEA OF MERSEY and will be 2000 pages long.

Monday, September 04, 2023

 

Aardvarks: Earth Pig Poetry


I wondered if I had written enough poems about aardvarks to issue a book of aardvark-themed poetry.

I went through all my poems to see if this was true. Turns out it nearly was (I had to write a few more to make up the shortfall). Anyway, I put that collection together and here it is... Aardvarks: Earth Pig Poetry

It's a slim collection but quite a nice one, I think. The print edition is only $3.99. If you like aardvarks, the book might be of particular interest to you. If you don't like them, what more can I say?

It includes poems that are only tangential to the subject of aardvarks, but it also features two long poems that are unquivocally about them. One of these is about eighteen different aardvarks and what they do in their spare time; the other is a short-story in verse form about a were-aardvark during the night of a full moon. 

Monday, August 21, 2023

 

Coffee and More Coffee


My forthcoming poetry book, THE COFFEE RUBAIYAT, has a cover and a publication date. September 16 from Alien Buddha Press, based in the USA.

This is a collection for coffee nuts like me.

I started writing it in June. It is exactly as long as the first edition of Edward Fitzgerald's translation of The Rubaiyat of Omar Khayyam and is about coffee instead of wine, because at the end of the day (and also at the beginning) I prefer coffee.

I am especially pleased that this one isn't self-published, even though I am very fond of my self-published poetry books.

It consists of 75 quatrains to match the 75 of Edward Fitzgerald's translation (the first edition). I preserved the AABA rhyme-scheme and mostly mimicked the metre (not always). One of my most ambitious poetry projects, I think.

Wednesday, August 16, 2023

 

Handful of Sesame


I have my own publishing company, a very small one, I guess it should be called a micropress. It's a one-man outfit and I am the man. I started it up to self-publish books of mine that were unlikely to be accepted by traditional publishers (though as it happens, most of my experimental and OuLiPo works have been published by other small presses that are considerably bigger than mine).

As well as pubishing my own work, I always planned to publish books by other writers. Late last year I managed to secure the rights for a new English-language edition of the award-winning novel, A Handful of Sesame by Shrinivas Vaidya. I acquired the rights for all countries except India. Recently I acquired the rights for India as well.

The novel is available as a paperback and also as an ebook. A sweeping historical novel, it was shortlisted for the Lucien Stryk Asian Translation Prize in 2019. The original work Halla Bantu Halla won the Central Sahitya Akademi Award. The book was translated by Maithreyi Karnoor.

The novel is set in the fateful year of 1857. Here is part of the official description of what the book is about: 'Two brothers, emissaries of a northern king, on a mission to garner the support of the southern rulers, wander lost and hungry in a forest not far from their destination. They are captured and one of them is hung by the British. Caught in the rough and tumble of the mutiny, the other brother settles down in a place that was never meant to be more than a temporary refuge. He spends his life far away from home among people who do not speak his language.

The novel spans the story of three generations of his family living under the burden of inherited nostalgia, a story that unfolds with all its flying fancies and stumbling follies on the threshold between tradition and modernity. Set against the backdrop of the freedom movement, the novel explores the lives of the people of the Dharwad region of Karnataka; their acts of faith and the realpolitik of ritual. Masterfully and sensitively translated from the Kannada, A Handful of Sesame is funny, tragic, ironic, satirical, lyrical and deeply allegorical of a young, modern nation.'

Wednesday, August 09, 2023

 

Nine Free Ebooks



I am raising the price of my ebooks (most of which are currently at 99 cents) by one dollar. This is because at the moment royalties are very small even when sales are quite good. To mark the occasion I am making nine of these ebooks FREE for a few days. This is a one-off and won't happen again. The ebooks in question are:

COMFY RASCALS (flash fictions)

THE POSTMODERN MARINER (fantasy) 

THE WORLD BEYOND THE STAIRWELL (dark fantasy)

CREPUSCULARKS AND PHANTOMIMES (weird fiction)

CTHULHU WANTS YOU (horror comedy)

VAMPIRES WITH FAIRY WINGS (fictional biography)

CARRYING WOMEN ACROSS RIVERS (poetry)

THE DANGEROUS STRANGENESS (one-act plays)

THE NOSTALGIA THAT NEVER WAS (flash fictions)

These links are to Amazon US but look on your own Amazon, where they are also free... :-)

Sunday, July 02, 2023

 

Lovecraft's Chin


LOVECRAFT'S CHIN
, a slim volume of poems about the man himself, his chin and his pantheon, has just been published and the ebook edition will be a free download for five days (from July 3rd to July 7th). But the paperback is a permafree PDF download too. This will be my last self-published project before I leave India one week from now.

The free PDF can be downloaded here. Only click on this link if you really want to download it, as the download should start automatically.

I think it's funny and I hope you will too, though if you are a fanatic for Lovecraft you might not. That's the risk we take when we do things like this. It's unfortunate, but some devotees of the Weird take things far too seriously, and then they get angry, and their anger becomes bitterness, and really the whole thing becomes even weirder than the Weird fiction they believe they are defending. My own view is that Weird fiction (or fiction of any sort) doesn't need to be defended. It can defend itself perfectly well.

Anyway, the book is there to be read for free and I will say only one more thing about it. Lovecraft often disparaged people, entire races of people in fact, so any disaparagement or mockery that comes his way is entirely his own fault. He has no one to blame but himself. As for the argument that he was "of his time", that's fine: I am also "of my time", so if his foibles can be justified that way, so can mine. Let us at least try to be logical and consistent.

Friday, June 23, 2023

 

Jazz Hands Pterodactyl


My new poetry book has just been published. THE JAZZ HANDS PTERODACTYL is a slim collection, a chapbook really. But you don't have to be a chap to read it. Ladies can read it too. It's a personbook.

The ebook edition also happens to be a FREE download from any Amazon outlet for the next five days (starting right now).

If you do download it, I would be grateful if you could also promote it by sharing the link. This link is to the free book on Amazon US, but look on your own Amazon too.

My poetry has been compared to that of Spike Milligan, Ogden Nash, Ivor Cutler and Richard Brautigan. Not very often have I been so compared, true enough, but I have occasionally been compared in this manner, yes indeed.

My new collection includes poems about dinosaurs, dictators, writers, jazz musicians, explorers, metaphors, armchairs, dogs, devils and more.

It also includes one of my personal favourites of all my poems, a mini-mock-epic called 'The Voyages of Caractacus Gibbon'.

Thursday, June 15, 2023

 

Starfish Wish


My new book has just been published and before I say anything else, let me point out that the ebook version is a FREE download from any Amazon outlet for the next three days. Click on this link to get it from Amazon US or search on your own Amazon for the book.

Now for the book itself. STARFISH WISH is a sampler of modern fairy-tales and fabular fantasies. It's a taster for a much larger volume that will soon follow (closer to the end of the year). Most of the stories it contains have never been published before: some are long, others very short, flash fictions in fact.

I designed the cover myself. I used an online art program to do so. I am not an artist or designer. I just mess around with things until I end up with something I like. In the old days (ten years ago) I made covers by making models and photographing them. I prefer this new digital method.

Here is the back cover material...

Once upon a time there was a book, a collection of modern fairy tales and fables, and this book lived in the uncharted regions of availability. It featured 27 stories, and each one of those stories was a prisoner of the book. The book was rather like a dragon in this regard and the stories were like damsels in distress. The book guarded the stories jealously but no knight ever came to rescue them. Until now. Yes, the reader is the true knight and the act of reading is the method by which the stories can be set free. The stories will escape from the book into the head of the reader where they will be free to enjoy life. You are the reader, the hero of this adventure. Unsheathe your eyes and prepare to do battle!

Tuesday, May 23, 2023

 

Two New Poetry Books


Two new poetry books of mine have been published.

The first is The Knight of Whatever, described as a chapbook for chaps, also for chaperones and cheeky chimpanzees; poems suitable for knights at night and dames in the daylight, or vice versa. Verses about vice and virtue; lyrical investigations into the nature of aardvarks, gibbons, and yetis; ditties about landscapes made of cake and funky ducks. Poetry suitable for all ages but especially suitable for unsuitable ages.

The second is Flunkey Monkey, described as poems that monkey around, poems that would swing from trees and eat bananas if they had limbs and mouths; poems that are cheeky and a little mischievous; poems that are rather hairy; poems that see no evil, hear no evil, speak no evil, but see, hear and speak lots of absurdity; poems that use simian similes and monkey metaphors. Monkey-poems.

The first of these books requires a little explanation. Twenty years ago I had a chapbook of poems published that was illustrated by an artist named Carole Humphreys. I decided to resurrect this chapbook and publish it myself, together with the illustrations. But then I thought, why not write new poems for the old illustrations? The illustrations were based on a set of existing poems, and now a different set of poems can be based on those illustrations. From illustrative to ekphrasitic in one mighty bound! The book contains lots of other poems that weren't inspired by illustrations.

The second of these books is currently a free download from any Amazon outlet, but only for the next three days, so if you are reading this after 25th May you have missed out on the offer. I regard this as my best poetry book so far (by far) but who am I to judge these things?

As for the title... A few mornings ago, I woke up with the words "Bestseller Monkey" on the tip of my tongue. Never one to refuse the gift of a dream, I decided to give my next poetry book that title. And so I did. But Amazon rejected the title on the grounds that you shouldn't have the word "bestseller" in a book title. Fair enough. They asked me to choose another title for the ebook edition. I plumped for Flunkey Monkey. However, to my surprise, although they rejected the original title for the ebook, the paperback passed through the vetting process with the title unchanged. So now I have a poetry book that has two different titles, one for the paperback and another for the ebook...

I am supposing that it won't be long before they notice that the paperback title violates their naming policies and I daresay the paperback will have to be removed soon. But in the meantime, Bestseller Monkey is on sale!

Sunday, April 23, 2023

 

Pastel Whimsies


My new book has been published. It's a concise collection of whimsical stories about ghosts, monsters, mythical heroes, giants, talking cats and pots of custard, divided into four sections: (1) crime, (2) fantasy, (3) science fiction, (4) horror.

The sections are all separate in theory but the stories rarely or never confine themselves to one precise genre. There is plenty of overlap. One or two of them don't fit into any genre at all, unless it be the 'fabular' genre. The only thing they really have in comoon is that they are all whimsical and colourful in a gentle way.

Of the twelve short-stories in the collection, ten have never before been published. Most of the stories were written last year and the book could have been published in 2022, but what with one thing and another there was a delay. Not that this matters.

The title for the collection, Pastel Whimsies, was suggested by something the late Joel Lane said to me many years ago when we were discussing the works of Lord Dunsany. I am an enthusiast for Dunsany's stories; Joel wasn't, and he declared that he had no intention of wasting time reading "pastel whimsies". The next day I wrote a Dunsanyesque story called 'The Pastel Whimsy' which I sent to Joel (who said he enjoyed it). That story appears in this book.

I am delighted with this little collection. I am especially pleased with the stories featuring the detective Belo Custardo, the caveman story, and the story about demonic critics (I had the idea for that tale when I was 15 years old, but only recently sat down to write it). One of the other stories, about two trains, has my favourite last line of any of my short stories.

Another story, 'The Library', is a flash fiction that I plan to extend into a full length story and is therefore not yet part of my official bibliography, but I think it works well as a flash too, which is why it is here.

As a promotional device, the ebook edition will be a free download from any Amazon outlet for five days starting from Monday 24th April.

Saturday, March 25, 2023

 

Wistful Wanderings


My new novel has just been published. I love working with Telos Publishing. They are excellent and I don't think any author could rightly want more from a publisher. They published my novel Captains Stupendous some years ago and it so happens that it is now on special offer, only £3 for a book I think is one of my best adventure tales. The link for that offer is here.

I regard my new novel, The Wistful Wanderings of Perceval Pitthelm, as an even better novel (just my own view, of course, and who am I?).  As well as being available directly from the publisher, it is also available from Amazon in paperback and ebook editions. As I have said before, it's an adventure story but a little more philosophical than most adventure stories.

Already it has had a good review. I am hoping for more reviews soon. The story concerns a writer of adventure stories who becomes caught up in a series of adventures himself, in East Africa, Brazil and the Sahara Desert between World Wars One and Two. Philip José Farmer was a big influence on this, as were Karel Čapek and Michael Moorcock and even Mia Couto. I think I have successfully managed to capture a certain atmosphere.

My thanks are to Ana Da Silveira Moura for providing the initial nudge that started the first chapter/story rolling. Salutations also to Jim Burns, the legendary cover artist. I have always wanted a Jim Burns cover, ever since I saw the covers he did for Jack Vance's Durdane Trilogy when I was in my teens and had just started reading fantasy and SF.

For the next few days, in order to help promote my novel, my collection of Lovecraftian stories Cthulhu Wants You will be a free ebook from any Amazon outlet. I am striving to reach new readers with this freebie in the hope that some of them will like it and then go on to purchase The Wistful Wanderings of Perceval Pitthelm. Trickle-down doesn't work, we all know that, but maybe capillary-action-sideways still has a chance. Let's see! Free for the next five days. Feel free to share.  

Whatever happens, my new novel now exists as a real item in the world and is available to be read, and that's something very nice to know. Review copies are available, epub, mobi and PDF. Contact me if you think you might be able to review it. Thanks.

Friday, March 03, 2023

 

New Novel - Perceval Pitthelm



Cover reveal. One of my favourite ever book cover artists, Jim Burns, did this cover for my forthcoming novel, which is due to be published on March 23rd by Telos Publishing.

Already this year I have ticked off three long-standing items on my bucket list. I climbed to the summit of Sri Pada, had one of my stories turned into a comic, and now a Jim Burns cover! I have wanted a Jim Burns cover since I first saw the covers of Jack Vance's 'Durdane' trilogy when I was about 16 years old.

Anyway, I am very pleased with the way the novel has turned out, an adventure set in Africa, Brazil and the Sahara Desert, taking place between World Wars One and Two. Philip José Farmer was a big influence on this, as were Karel Čapek and Michael Moorcock, but there's also (I like to think) an influence from less obvious sources such as Mia Couto and Alvaro Mutis.

The novel began life as a long short story called 'The Knees of Kionga' that I wrote for publication in Portuguese ten years ago, thanks to the encouragement of my friend Ana Da Silveira Moura. As the years passed, I added sequels to that story and ended up with a novel that I regard as my best adventure novel so far. I believe I have successfully captured a certain 1920s/30s atmosphere. You know the kind of thing I mean; the tropics, the misadventures, the spirit!

The novel is available for pre-order now. Here's the link:

WISTFUL WANDERINGS

I would certainly urge any readers at all interested in my work to check out this novel :-)

Sunday, February 05, 2023

 

Mountains and Goa


January turned out to be a busy and spectacular month, and February has started off the same way. But let me talk about January. I went to Sri Lanka and climbed Sri Pada, something I have been planning to do since I first saw the mountain back in December 2021.

Sri Pada is 2243 metres high, which makes it almost exactly twice as tall as the highest mountain in Wales. At the top there is a 'sacred footprint' that some say belongs to the Buddha and others say belongs to Shiva. The idea is to climb it at night and witness the sunrise from the summit, at which time a Brocken Spectre effect takes place.

Marco Polo mentioned the mountain; Ibn Battua climbed it in 1344; and the first known ascent by a British climber was in 1815, by Lieutenant William Malcolm of the 1st Ceylon Regiment. It is a very promiment peak, which probably explains the fascination it has had on people throughout the ages.

This photo shows my first view of Sri Pada from the place where I stayed, in Maskeliya, a village near Hatton, where the famous and remarkable climber Eric Shipton was born.  

After I returned to India, I had a few days of rest before I flew off to Goa as a guest of the Goa Arts and Literature Festival (GALF) 2023. I constantly seem to be going to airports, taking a flight somewhere. I was given a chance to talk about my work over the past 30 years, the five million words of fiction I have written in that time, including 1000+ short stories.

The event went extremely well. I relished the chance to talk about my own work but also about writing in general: fantasy, metafiction, OuLiPo, Borges, Calvino, short-stories, poems, inspiration and other bookish things.

It is the first time I have given a public talk on literature since I did a talk about Cortazar and the Latin American 'Boom' in Portugal back in 2014.

This photo shows me waffling on about something while being incisively questioned by the rather magnificent Maithreyi Karnoor.

So much else has happened that I scarcely know where to begin. I sold a novella I wrote last year called Robot Love Story that I am very fond of. I have sold many stories to numerous anthologies, including a tribute story to J.G. Ballard that includes contributions from Michael Moorcock, Iain Sinclair and Will Self. I have sent my recently-completed novel, The Hippy Quixote, to a very highly respected agent, who has agreed to read it. I am forging ahead with the writing of my new novel, Average Assassins. And I am working on a collection of short stories and essays called Poppadum and Circumstance for an Indian publisher.

Also, to celebrate the fact that my novel, Nowhere Near Milk Wood, is now twenty years old, and bearing in mind that it's actually a fixup of three novellas, the individual novellas are being issued separately as ebooks. The Long Chin of the Law has been available for a while; but now Martye to Music and Taller Stories are also available. I also have a new book due out soon, which I will talk about in my next blog post, which should be very soon for a change :-)

Friday, December 30, 2022

 

End of 2022 Review


This isn't really a proper review. There's too much to review and I am bound to get it jumbled up. The only way to proceed is to keep it short and not try to cover many topics.

I had twelve books published in 2022, averaging one a month. The most important of these by far is my Centipede Press collection, The Senile Pagodas, a book of tribute stories to authors I admire. It is starting to get some good reviews. I waited ten years for this collection to be published; the wait was worth it.

So much for print books... When it comes to ebooks, my most important publication of the year was The Rhys Hughes Fantastic MEGAPACK® published by Wildside Press, a showcase of my short stories from the past three decades. This is the first of three such volumes and taken together they will form a very good retrospective collection of my work.

I was translated into Serbian and published in Belgrade. Postmoderni Mornar was translated by Tereza Bojković and issued by Partizanska knjiga. This was a project supported by the Welsh Literature Exchange, who also funded my partner's university residency in Aberystwyth as part of the Charles Wallace Fellowship (but that's a different story).

I also sold several books including a fantasy adventure novel that I finished writing just before the pandemic struck. And another of my books has been chosen for translation (into German this time). I sold many short stories, even more poems, and a few articles.

I finished writing a novel, The Hippy Quixote, that I plan on sending to an agent very soon (I finally seem to have acquired a new agent, at least for this one book, and he's a very notable agent indeed). I wrote forty short stories, hundreds of flash fictions (500 in the case of this book) and countless poems, many of which were published, many of which haven't even yet been submitted anywhere.

I also started writing a surreal thriller, Average Assassins, that I hope to finish in the first half of next year. I have outlined most of rhe chapters already and written the first. Writing more novels is a resolution for the future. I have many planned. It's just a case of working through my list methodically. When Average Assassins is finished I will probably return to work on my fantasy novel Unevensong, which I haven't worked on for almost thirty years. And after that, it is high time I returned to my incomplete big novel, The Clown of the New Eternities, but realistically that one might have to wait until 2024.

Maybe the most significant aspect of this year in terms of my writing is that I finally wrote my 1000th story. This was a target I decided to aim for a long time ago, never expecting that I would achieve it, but in the summer it actually happened. My 1000th story is called 'Tangents' and is more of a novella (containing flash fictions) than a regular short story. It will hopefully be published in Brazil in 2023.

I had always said that when I reached my 1000th story I would give up writing short stories. The thousand stories taken together would form one immense story-cycle called PANDORA'S BLUFF and the last story in the cycle would feed into the first, forming an endless loop. Well, the loop exists now but I have gone beyond the thousand and my vision for the story-cycle has undergone a modification. The cycle will be as long as it turns out to be.

I began the year in Sri Lanka and I spent 2022 in that country, in India, Egypt, and Wales. I am now back in India and returning to Sri Lanka one week from now. I have travelled a great deal this year and seen many amazing things. I can say it's been one of the best years of my life.

Here's to 2023, and a great year to all of you out there!

Tuesday, December 20, 2022

 

Monalisa and Others

So much to blog about! I am very neglectful of my blog these days. Social media has taken over and made blogging redundant for the most part. Nonetheless, it is probably a good idea to occasionally keep my blog topped up, so to speak...

I will be concise and mention that my novella, My Rabbit's Shadow Looks like a Hand, which has only been a print book for the past year, is now also an ebook. It's also going to be translated into German and published in Germany, something I am very pleased about.

Conversely, my triptych of three tales known as The Mermaid Variations, which has only been an ebook for the past ten years, is now also a print book. It has already been translated, into Portuguese, and in fact these stories first appeared in that language, long ago.

My collection of linked short stories, The Postmodern Mariner, has been translated into Serbian and published in Serbia in a very nice edition indeed. More about this in a future blog.

I have had a lot of work published in a lot of places and I have signed contracts with several publishers for work to be published in the near future. One of these contracts is for a fantasy novel I finished writing a few years ago. I will provide more details soon, after the publisher gives me the go ahead. The novel is a fantasy, as I said above, but more of an absurdist magic realist thing than a typical fantasy, if that doesn't sound too pretentious, set in Africa, Brazil and the Sahara Desert, and very 1920s/30s in tone, a sort of mix of Don Quixote, Beau Geste and Philip José Farmer.

I also have signed a contract for a substantial collection with a notable publisher in the USA. In fact the deal is for three collections. The first one is out already and the others will follow soon. More details in my next blog post. The idea is to reach readers totally unfamiliar with my work who are unlikely to poke around in the obscure corners of the independent press where so many of my stories lurk. Considered together, the three collections will form a very big retrospective of my work.

But now I want to mention a recently-published anthology published here in India by Om Books called Monalisa No Longer Smiles. It includes fiction, non-fiction and poetry. I am delighted that my suite of poems based on Ancient Greek mythology entitled 'Sticky Myths' is presented here in its entirety. The book is extremely well-produced and more information about it can be found here. The idea is that this is going to be the first of a series of such anthologies showcasing the range and diversity of work that can be found in the online Borderless Journal. Edited by Mitali Chavravarty, Borderless Journal has been one of my favourite literary journals for the past few years and I always make it a priority to send my work there. Borderless has already published many of what I consider to be my best humorous poems. Supporting this anthology is a genuine pleasure for me.

One other thing, if you are fast you can catch a free download of my novella The Ghost Loser from any Amazon outlet.

Oh yes, and yesterday I finished writing a new novel called The Hippy Quixote :-)


Thursday, November 10, 2022

 

Tiny Arrows


A slim collection of my (mostly new) flash fiction has just been published. Has a dozen illustrations too, by the artist David Bowman. The conceit is that each microfiction or nanofiction is a tiny arrow shot from the bow of a mythical archer.

Low price for both paperback and ebook versions. Is this a chapbook or a real book? I'm not sure. It's 83 pages, so you decide about that.

A few of the fictions within are metafictional. Here is one of those, to set an example: 

'THE FLASH'
The flash fiction writer went out into the storm. “I need some inspiration,” he said. The lightning bolt turned him into ashes. That’ll do,” he whispered, and the index finger of his ghost began scrawling a story on the damp ground with the carbon of his death.

There's not much more to say. I enjoy writing flash fiction, probably more than I enjoy writing full-length short stories. I sometimes think that if I am ever remembered for anything as a writer (but how can any of us know who will be remembered?) then my flash fiction might end up defining me. I am pleased that Samuel Delany, Ian Watson and A.A Attanasio, three writers I enormously admire, have all praised my flash fiction. That in itself justifies the endeavour.

But anyway... The book is available from every Amazon outlet. As most of my sales happen in the USA here is the relevant link to Amazon US.

Tuesday, October 11, 2022

 

Yee-Haw!

My new book has been published today. YEE-HAW is a collection of poems, mutant campfire songs, short plays and other small prose pieces, a 'Weird Western' and companion volume to my collection WEIRDLY OUT WEST, published last year by Black Scat Books.

It is priced very low, only $3.99 for the paperback edition and 99 cents for the ebook, because this is very much an offbeat project and not a commercial venture at all. 

And in fact the ebook edition will be a free download from any Amazon outlet for five days starting tomorrow (12 October) so grab a free copy while you can!

The official description of YEE-HAW is as follows:

"The West has always been the place where the sun sets best, and when it has slipped over the horizon it is time for the embers of the campfire and the blushing cheeks of the long riders to take over the rosy glow duties. And around this campfire, songs must be sung and poems recited and tales should be told. The Honky Tonk Squonk, the Ghost Riders, the Biscuit Kid, the Robot Hobo, the Purple Sage, and many others. Then, and only then, will it be time for coffee, beans and dreams, and yee-haws that turn into snores."

I think that says it all, or almost all... It was one of those books that are great fun to write. All my 'Weird Westerns' have been fun to write, more fun than most other kinds of books, from 'The Gargantuan Legion' novella to THE HONEYMOON GORILLAS and beyond. There is something about the West as a setting that is both inspiringly bracing and also mythically absurdist and I find it irresistible...


Tuesday, September 27, 2022

 

Five Hundred Mini-Sagas


My new book has just been published. A mini-saga is a complete story with a beginning, middle and ending but done in exactly 50 words. The form was invented by Brian Aldiss in the 1980s and has since become one of the most popular and significant microfiction formats.

FIVE HUNDRED MINI-SAGAS presents no fewer than five hundred of these flash fictions, most in prose but some in verse. I began this project back in May when I was in Aberystwyth and finished it here in Bangalore just a few days ago.

I have been interested in flash fiction, sudden fiction, microfiction, drabbles, etc, for a long time. The mini-saga has an especially rigorous structure due to its short length, though the title can be used as an essential part of the story, lending the writer a few extra words.

I am pleased with the mini-sagas in this collection. Obviously some are better than others, but I believe that the best are fine examples of this tricky literary form. The book has been published in paperback and ebook editions, and for the next three days the ebook edition is a free download from any Amazon outlet. Here is a link to the book on the British Amazon, but check your own Amazon if you wish to receive it for free.


Thursday, September 15, 2022

 

The Senile Pagodas

Back in 2012, I put together a collection of short stories that were tributes to authors I admire. Then I sent it to Centipede Press and it was accepted fairly quickly.

Now, ten years later, the book has finally been published. My delight is no small thing. Anyone who knows how magnificent the books of Centipede Press are will understand why.

Good things come to those who wait, but even more fantastic things come to those who wait longer.

Or to put it another way: Six balls bowled at wickets in cricket is an over. And so is the wait...

More information about The Senile Pagodas can be found on the Centipede Press website.

The book is now also available for purchase from Ziesings, one of my favourite booksellers. They sell my Raphus Press books too, and books from other publishers...

In the meantime, here is the press release text for The Senile Pagodas:

"When a fictitious book title crosses from the realm of fantasy to reality, it becomes a work destined to break the mold and stake its place in the annals of literature. And in The Senile Pagodas, Rhys Hughes reimagines what it is to break that mold. It’s a book whose name may have been plucked from a Borges/Casares collaboration but standing on the shoulders of giants has its perks. And this book is evidence of that.

       This collection of twenty-one stories (seventeen published here for the first time) acts as an homage to the authors who informed and shaped Hughes’ writing, ranging from Kafka to Hawthorne to Moorcock to Bulgakov. It’s a “who’s who” of literary heavyweights that Hughes honors through his wildly inventive brand of magical realism, which will spark your imagination in the same way his influences have done for him.

       Never averse to a densely packed framework, “Nightmare Alley” and “The Apocryphal Wonder” showcase Hughes’ innate sense for story layering. The former features a traveling bookseller whose escape from an alley is always fleeting. That is, until he finds the customer he was always searching for. And the latter is an ingenious story within a story distorting the line between fact and fiction. Preach a fabrication long enough and what does it become?

       “Abomination with Rice” and “The Bannister” include two remarkable and mystifying dilemmas that complement the work of weird fiction’s towering titans: Lovecraft and Hodgson. If you don’t see the connections at first, just look to the sea and the sky for what’s lurking just out of frame.

       The silly and absurd can be found in “Knights that Go Bump into Things” where there’s proof that not all knighthood results in gallantry. At least, not without bumps in the road or a knight’s noggin. Similarly, “Poe Pie” is a comical but bizarre depiction of hunger as imprisonment in which you may think twice before entering Café Poe again.

       Others such as the Calvino tribute, “City of Blinks,” can be seen as laconic parables. This one centers around a concentric city with tiered levels and a king who watches from above. It’s a seemingly perfect hierarchy, but even a king blinks and an eye can only see what’s in view — for revolution may only be a blink away.

       And “Lem’s Last Book” is an apropos tale demonstrating the physical prowess of a book, one whose presence can absorb the words of other books. When set between two it can create a hybrid of sorts. Though, the jury is still out on what it can produce when lying between two people.

       What The Senile Pagodas offers is a cornucopia of fantastika fiction that reads as though it could have been written yesterday or a hundred years ago. It’s where Hughes channels a variety of perspectives and avenues to further announce his appreciation for mischievous misadventure while also paying tribute to the lords and masters of the written word. But it also serves as the ultimate “thank you” note from one of the supreme authorities of modern imaginative expression in short story form.

       Profusely illustrated with full page author photographs, the edition is 300 numbered copies (with a multitude of facsimile signatures) and 100 unsigned copies."


Tuesday, August 23, 2022

 

Offbeat Humorous Fantasy Books

Recently I was invited to compile a short list of my favourite books in any category of my choice. I was fdelighted to do so. I was asked by a website called Shepherd that is devoted to books. They have an intriguing and inspiring method of recommending books to readers: through author recommendations. The number of lists is growing rapidly and I feel sure that Shepherd will become one of the major book resources for readers in the not-too-distant future.

My own list has just gone online. I chose what I regard as the Best Underrated Offbeat Humorous Fantasy Books. My choice of five is there to be agreed or disagreed with, but they are all books I have enjoyed immensely and read more than once (it's unusual for me to re-read books). My list features two English authors, two Irish, and one French. I won't say more here. If you want to know who they are, you can find out by clicking on the link above.

I have been reading the lists compiled by other authors with interest. One of my favourites among those I have discovered so far is Best Science-Fiction Novels About Worldbuilding, compiled by the great A.A. Attanasio (one of the best fantasy writers of the past 50 years), a list that includes some of my most beloved authors.


Thursday, July 28, 2022

 

Comfy Rascals


My new book of flash fictions has just been published as a paperback. It was originally published as a deluxe limited edition by Raphus Press of Brazil with only 30 copies for sale. The paperback, on the other hand, is a mass market product and has been priced low, and the ebook has been priced very low (in fact it is a free download on any Amazon outlet for the next three days).

Many rascals are too tense to be comfortable. Real life rascals have much to worry about. But rascals in fiction can afford to relax a little in the waves of prose that surround them, gently swirling on the wit and wisdom, bobbing on the contrivance, floating on the syntax. It is nice to be a comfy rascal.

"Each of these stories is a shimmering whimsical fleck which not only satisfies in and of itself but, taken with its compatriots, builds an image of life and language that is pure play and discovery. Like Kafka's parables, if Kafka's sense of humor was less dark and had more puns." — BRIAN EVENSON

“If I said he was a Welsh writer who writes as though he has gone to school with the best writing from all over the world, I wonder if my compliment would just sound provincial. Hughes’ style, with all that means, is among the most beautiful I’ve encountered in several years.” — SAMUEL R. DELANY

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